Acquiring minds‘Branded and On Display’ and Iván Navarro at Tufts, David Ording and Ledelle Moe at BU January 8,
2008 4:43:46 PM
|
“BRANDED AND ON DISPLAY” and “IVÁN NAVARRO: NO MAN’S LAND” at Tufts University Art Gallery, 40R Talbot Avenue, Medford | January 17–March 30 | 617.627.3518
“DAVID ORDING: NEW PAINTINGS” at Boston University’s Sherman Gallery, 775 Comm Ave, Boston | January 15–February 29 | 617.358.0295
“LEDELLE MOE: COLLAPSE” at Boston University’s 808 Gallery, 808 Comm Ave, Boston | January 22–March 14 | 617.358.0922
|
Tall black stripes of varying widths projected onto a white wall seem to undulate like a quietly animated Bridget Riley painting, whereas shaped monochrome canvases might bring Ellsworth Kelly to mind . . . but artist Louis Cameron is as much influenced by supermarket merchandise as by these pioneers of abstraction, taking his cues from bar codes and the color schemes that shout out the brand identity of familiar products. (His paintings have titles like Aquafresh and Newport.) Similarly, the howling, oddly hued monkey in Laurie Hogin’s painting I Can’t Believe It’s Not Butter! may look like a random escapee from a 17th-century Dutch still life, but Hogin uses this strange creature to comment on how products we know (and love!) by brand name have come to invade our every waking moment. This particular monkey is one of several in her series “Allegory of Psychodemographics: Twenty-Four Brands My Family Uses in a Typical Summer Day” (2006), and she and Cameron are two of the 18 artists and three artist duos whose work is on view in “BRANDED AND ON DISPLAY” at Tufts University Art Gallery starting January 17. Given that virtually every activity in our lives is experienced through purchases, from Babies “R” Us to Batesville Casket, the exhibition’s focus on branding — that place where art and design meet to mess with our powers of critical decision making — is sure to resonate with those of us facing post-holiday bills.
In an interesting pairing, Tufts is also opening on January 17 “IVÁN NAVARRO: NO MAN’S LAND,” three pieces by an artist who grew up in Santiago during the reign of Chilean dictator Augusto Pinochet and whose work joins formalism (treading overtly on the territories staked out by artists Dan Flavin and Tony Smith) with politics and everyday life. Navarro’s sculpture includes, among other things, a shopping cart made of fluorescent light tubes, and a big black cube that you can enter to find yourself serenaded by the Beatles’ “Nowhere Man.”
At Boston University, two one-person exhibitions are on the horizon:“DAVID ORDING: NEW PAINTINGS” opens in the Sherman Gallery on January 15 and “LEDELLE MOE: COLLAPSE” in the 808 Gallery on January 22. David Ording is known for oil paintings that revisit images from the canon of Western art history, transforming works by the likes of Courbet, Caravaggio, and Rubens. Ledelle Moe, who was born in Durban, creates sculptures that range from the huge to the tiny; there’s one group of enormous concrete heads that look like fallen monuments, massive yet fragile. Although Moe now lives and works in the US, you can see how her South African roots inform her perspective.
On the web
Tufts University Art Gallery: www.ase.tufts.edu/gallery
Boston University's Sherman Gallery: www.bu.edu/cfa/visual/galleries
Boston University's 808 Gallery: www.bu.edu/cfa/visual/galleries
|
 |
Vote now in over 100 categories including the best local restaurants, comedian, filmmaker, performance artist, and yoga studio
Vote now in over 100 categories including the best local jukebox, bartender, dance club, and tattoo shop
Vote now in over 100 categories including best beer selection, bike route, gallery, and movie house
|
- Fans are paying the price for the Sox success: inside the Fenway fiasco
- The soap-operatic significance of the Bay Guardian–Village Voice Media battle
- Some Things at Trinity
- Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- The Big Hurt: Trent Reznor pushes the premium fabric-bound envelope
- The first political leader of my generation acts nothing like the rest of us — which might be how he’s gotten where he is
- Fans are paying the price for the Sox success: inside the Fenway fiasco
- Meet Adam Gaffin, Boston’s reigning Web czar
- The Clean House at New Rep; Gary at Boston Playwrights’ Theatre
- The soap-operatic significance of the Bay Guardian–Village Voice Media battle
- Teatro Lirico I at the Majestic Theatre, March 2, 2008
- The first political leader of my generation acts nothing like the rest of us — which might be how he’s gotten where he is
|
-
Spring Arts Preview: Landscape, road trips, weddings, and Spain
-
Monumental Prints and Small Ponds at the Davis Museum, ‘Art and Math’ at Axiom, Glass Sea Creatures at Harvard, and New Rationalists at Proof
-
‘Impermanence’ at the Essex Art Center, ‘Two Chinas’ at WAM, Renée Green at the Carpenter Center, and Feminism at the MFA
-
Moyra Davey at the Fogg, ‘Two or Three Things I Know about Her’ at the Carpenter Center, and Arno Rafael Minkkinen at BU
-
‘Maori Tattoo’ at the Peabody Essex, Jim Henderson and Ann Torke at Boston Sculptors, and Student Shows at the MFA and SMFA
-
David Claerbout at MIT, Children at the DeCordova, Kabuki Theater at the Peabody Essex, and more
-
‘The World as a Stage’ at the ICA, ‘British Prints 1914–1939’ and ‘Traveling Scholars’ at the MFA, and Colombian Artists at GASP
-
‘Broken Home: 1997/2007,’ ‘Empires and Environments,’ and ‘Arp to Reinhardt’ at the Rose, ‘Selections ’08’ at Mass Art, and Liz Linder at Space 242
-
Corn Dogs + Blue Ribbons at Montserrat, Boston Does Boston at Proof, and Some Sort of Uncertainty at Axiom
|
- John Whalley's "Mementos" at Greenhut Galleries
- Taking stock of the war in Iraq
- Monumental Prints and Small Ponds at the Davis Museum, ‘Art and Math’ at Axiom, Glass Sea Creatures at Harvard, and New Rationalists at Proof
- A look at the newly re-opened Bowdoin College Museum of Art
- Global warming inspires eco art at Montserrat and the BCA
- Three approaches to photography at Whitney Art Works
- ‘War Stories’ and Maori tattoos, plus the SMFA’s ‘Traveling Scholars’
- Jared Radding at the new Franklin Street Art Space
- Moyra Davey at the Fogg, ‘Two or Three Things I Know about Her’ at the Carpenter Center, and Arno Rafael Minkkinen at BU
- Commemorating the Katahdin Lake purchase
|
|