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| Steve EarleWashington Square Serenade | NewWest October 15,
 2007 5:33:33 PM 
This is Steve Earle’s big hug to his new home town, New York City, and his new wife (his seventh), country singer Allison Moorer, who repays the favor with frequent harmony vocals. There’s an urban-informed edge to much of the disc — Earle and producer John King, of the Dust Brothers, built the tracks atop beats, hip-hop style — but it’s also his least electric album in some years. In the opening “Tennessee Blues,” Earle bids goodbye to Nashville, and he quickly follows up with “Down Here Below,” singing the praises of a locally renowned Central Park hawk who’s “got him a penthouse view from the tip-top of the food chain.” The American political malaise is still very much on his mind, however. In “Steve’s Hammer,” a rousing folk-rocker dedicated to Pete Seeger, he promises that he won’t stop speaking out till “the air don’t choke and the ocean’s clean and the kids don’t die for gasoline.” And “City of Immigrants,” which features the Brazilian band Forro in the Dark, celebrates diversity with an appropriately Latin-esque sway.
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							 Inside the prize-filled trophy home of a seemingly obsessive-compulsive contest enterer
  A do-gooder who recorded abusive Boston police officers was himself arrested under a controversial ‘wiretapping’ law
  That intoxicating smell, the siren-call sizzle — looks like pop culture has gone hog wild
  Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
  We already know about politicians’ capacity for coarse behavior. But how low can the press go?
  Body modification as art at the Peabody Essex Museum
 
				
					
					
							 That intoxicating smell, the siren-call sizzle — looks like pop culture has gone hog wild
  Is there one political story the press shouldn’t report?
  Dutoit and Elder at the BSO, Collage’s Berio, Boston Conservatory’s Turn of the Screw, and Kurt Weill at the Gardner and the MFA
  Body modification as art at the Peabody Essex Museum
  The right of a performance artist represents the rights of all Americans. Plus, an opportunity with Cuba.
  We already know about politicians’ capacity for coarse behavior. But how low can the press go?
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