No bull

Herb Alpert at Scullers
By BRETT MILANO  |  May 19, 2008

080523_alpert_main
There was nothing campy or kitschy about Herb Alpert’s local appearance this week, and in a way that’s a shame. Alpert is seldom mentioned in the same breath as the Beach Boys, the Supremes, or the Rolling Stones, though his Tijuana Brass outsold them all in the ’60s. (Only Elvis, Sinatra, and the Beatles outsold Alpert.) And a recent reissue series proved the Tijuana Brass catalogue to be full of clever writing and sly humor, bachelor-pad swank of the first order.

Now 73, Alpert has made more than enough money for a cozy retirement (he co-founded A&M Records); these days he seldom tours or records. His sold-out Scullers show seemed to be full of people in the same boat, or maybe the same yacht: an older crowd in upscale-casual dress who appeared to be ordering nothing but white wine and brandy from the bar. These weren’t the ’60s obsessives who pack the oldies shows or the retro-hipsters who’ve picked up on Tijuana Brass reissues like The Lonely Bull and Whipped Cream & Other Delights. So nobody complained much when Alpert played a show that virtually ignored the Tijuana catalogue. Save for a muted take on “A Taste of Honey” and brief quotes from a few other hits, the set was devoted to Brazilian pop and pre-rock standards.

It was as much a vehicle for Alpert’s wife, former Brasil ’66 frontwoman Lani Hall — though her hits, “Mas Que Nada” and the Beatles’ “Fool on the Hill,” weren’t done either. Alpert announced early on that they’d conceived the tour while on vacation in Hawaii, and that set the breezy tone of the evening. He solo’d with quiet elegance while never venturing too far from the melodies — a lightly funkafied “Bésame Mucho” was as modern as it got. Things got sultry only when Hall took on Irving Berlin’s “Let’s Face the Music and Dance,” a coy, flirtatious number (it was written for Fred Astaire in Follow the Fleet) that she made sound more like a forceful come-on. “And I get to see her in the shower every morning,” Alpert noted afterward. It was clear the audience appreciated the intimation of later-life passion as much as it had the music.

Related: Shaken, stirring, Mile-high schlub, Sergio Mendes, More more >
  Topics: Live Reviews , Entertainment, Music, The Beatles,  More more >
| More


Most Popular
ARTICLES BY BRETT MILANO
Share this entry with Delicious
  •   REVIEW: DON'T STOP BELIEVIN': EVERYMAN'S JOURNEY  |  March 04, 2013
    There's no sex or drugs, just a lot of professionalism.
  •   WALTER SICKERT LEADS A BAND OF MUSICAL MISFITS  |  February 05, 2011
    When Walter Sickert and his Army of Broken Toys played an official First Night show at the Hynes Auditorium on New Year's Eve, they ran overtime and the soundman pulled the plug — which isn't quite the smartest way of shutting down an acoustic band.
  •   GUIDED BY VOICES RETURN WITH SELF-INFLICTED NOSTALGIA  |  November 07, 2010
    When Guided by Voices announced their reunion tour this year, it marked a milestone of sorts for the Dayton band. This is arguably the first conventional career move they've ever made.
  •   DANDO AND HATFIELD REKINDLE A MUSICAL COURTSHIP  |  November 01, 2010
    Evan Dando and Juliana Hatfield were never a serious couple, and they never played music together for very long.
  •   REVIEW: ROCK OF AGES  |  October 12, 2010
    At the start of the hair-metal musical Rock of Ages (at the Colonial Theatre through October 17), narrator Lonny (Patrick Lewallen) promises a night of sexy decadence and general kick-assery.

 See all articles by: BRETT MILANO