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Review: This Is Not A Film

Artistic provocation
By GERALD PEARY  |  May 1, 2012
3.0 3.0 Stars



It can't be a film, because the acclaimed director Jafar Panahi (The Circle, etc.) has been ordered not to make any by the Iranian theocrats who have also sentenced the dissident filmmaker to an upcoming jail sentence. But while he waits, Panahi slyly brings a cameraman into his Tehran apartment to shoot a non-film, the filmmaker having tea, playing with his pet iguana, and acting out scenes from a narrative film which was stopped in the planning stages by the government. This courageous act of artistic provocation is now showing in theaters around the world, featuring Panahi, a grim optimist in the way of a Beckett character, trapped to his neck but speaking away.

Related: Review: Brighton Rock, Review: The Whistleblower, Review: The Names of Love, More more >
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ARTICLES BY GERALD PEARY
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  •   REVIEW: SURVIVING PROGRESS  |  May 15, 2012
    Despite prestigious talking heads like Margaret Atwood, Jane Goodall, and Stephen Hawking, there is nothing new here beyond what every conscientious liberal already knows is wrong with the world.
  •   REVIEW: HEADHUNTERS  |  May 08, 2012
    Roger (Aksel Hennie) is an Oslo yuppie with a gorgeous, blonde wife, a top-drawer job as a corporate headhunter, and a lucrative side employment stealing fancy paintings.
  •   REVIEW: ELLES  |  May 08, 2012
    How did the Polish filmmaker Malgoska Szumowska dupe the classy Juliette Binoche to participate in such a dubious, exploitative film?
  •   REVIEW: THIS IS NOT A FILM  |  May 01, 2012
    It can't be a film, because the acclaimed director Jafar Panahi ( The Circle , etc.) has been ordered not to make any by the Iranian theocrats who have also sentenced the dissident filmmaker to an upcoming jail sentence.
  •   REVIEW: TURN ME ON, DAMMIT  |  April 24, 2012
    In the nowhere Norwegian mountain town of Skoddeheimen, Alma, 15, is bored with her surroundings, alienated from her mom, and so horny that she pays for a telephone sex service.

 See all articles by: GERALD PEARY



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