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Review: Super

Tailor-made-for-the-midnight-circuit curio
By BRETT MICHEL  |  March 31, 2011
2.5 2.5 Stars

If, unlike me, you wish there had been more to the brief exchanges between Rainn Wilson and Ellen Page in Juno, then the dark new comedy from James Gunn (Slither) might be for you. At least this tailor-made-for-the-midnight-circuit curio doesn't rely on too-hip-for-school dialogue. Instead, we get unrated doses of over-the-top violence — and a massive inconsistency in tone. In essence, Gunn has returned to his roots, making a Troma-worthy comic-book movie, but with A-listers. When hapless Frank D'Arbo (Wilson) loses his ex-addict wife (Liv Tyler) to a drug dealer (Kevin Bacon), religious visions drive him to become a low-rent superhero, Crimson Bolt, who makes up for a lack of powers with a huge, skull-cracking wrench. He's joined in his crusade by unhinged, oversexed sidekick Boltie (Page), who — try as she might — is no Hit-Girl. And that's one doodle that can't be undid, Homeskillet.

Related: Lee Chang-dong's oblique, affecting film, Review: Rango, Review: Elektra Luxx, More more >
  Topics: Reviews , Ellen Page, Kevin Bacon, violence,  More more >
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ARTICLES BY BRETT MICHEL
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  •   REVIEW: THE MUSIC NEVER STOPPED  |  March 31, 2011
    An exploration of music's power to heal, this maudlin movie (based on Oliver Sacks's essay "The Last Hippie") features go-to supporting player J.K. Simmons in a rare leading role.
  •   REVIEW: SUPER  |  March 31, 2011
    If, unlike me, you wish there had been more to the brief exchanges between Rainn Wilson and Ellen Page in Juno , then the dark new comedy from James Gunn ( Slither ) might be for you.
  •   REVIEW: LIMITLESS  |  March 25, 2011
    Neil Burger ( The Illusionist , The Lucky Ones ) hasn't previously displayed much of a personal style, but here he opens with street-level power-of-ten shots, his camera zooming forward, through people and vehicles alike.
  •   REVIEW: PAUL  |  March 17, 2011
    American excess replaces the British austerity vibe that defined the Simon-Pegg-and-Nick-Frost-starring genre send-ups Shaun of the Dead and Hot Fuzz in this love letter to Reagan-era Spielberg.
  •   REVIEW: RANGO  |  March 11, 2011
    Roger Deakins (True Grit) may have just lost the Academy Award for a criminal ninth time, but his talent as a cinematographer is one of the secret weapons in the first CG movie from live-action director Gore Verbinski (the Pirates of the Caribbean trilogy).

 See all articles by: BRETT MICHEL

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