“Education happens wherever people are busy trying out ideas,” “Fauxneme” says via e-mail. “Posting these blogs is a way to give these lectures to thousands of people who don’t have the privilege to be there in the first place.”
Magliozzi ultimately hopes to have every single class blogged — and not just at Harvard. “Then you could do really interesting things, so it’s not only about what Stephen Greenblatt is saying about Shakespeare, it’s about what Harold Bloom is saying at Yale, or what a professor at Stanford is saying,” he says. “Then you could have an intercollegiate discussion. There was a time when Socrates, Plato, and Aristotle were public intellectuals. Maybe we should do that again.”
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Barack Obama's presidential campaign was successful in part because he was able to cleverly negotiate and navigate the battles that have plagued the United States the last few years.
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It's hip-hop week at Harvard University. And while that statement is far less ironic than it would have been 15 years ago, it's still relatively humorous.
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Residents say that if you jam a leaf blower in the earth virtually anywhere in Allston, furry bottom feeders will be blown out of every crack and hole in sight and rain down like unsavory screeching meatballs. North Enders joke that something similar would happen if you detonate a Parmesan wheel in an alleyway off Hanover Street.
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Harvard and Yale universities felt the sting of the global economic collapse firsthand in 2009, as the endowments of these stalwart New England Ivy League members dropped by nearly a third. The schools didn’t fare much better in the free marketplace of ideas, either.
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After its triumphant traversal of the complete Béla Bartók string quartets at the Isabella Stewart Gardner Museum, the Borromeo Quartet was back for a free 20th- and 21st-century program at Jordan Hall, leading off with an accomplished recent piece by the 24-year-old Egyptian composer Mohammed Fairuz, Lamentation and Satire.
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The 100th birthday of Serge Diaghilev's Ballets Russes prompted the expected centennial tributes in Boston: a "Diaghilev's Ballets Russes 1909–1929: Twenty Years That Changed the World of Art" symposium and exhibition at Harvard University in April, and a "Ballets Russes 2009" festival this month.
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While reporting from Afghanistan two years ago, David Rohde became, for the second time in his career, an unwilling participant rather than an observer. On October 29, 1995, Rohde had been arrested by Bosnian Serbs. And then in November 2008, Rohde and two Afghan colleagues were en route to an interview with a Taliban commander when they were kidnapped.
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