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These two compilations of female and male singers addressing the Jobim songbook span five decades of idiosyncratic interpretations by a galaxy of mostly Brazilian stars.
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There's been a continuum of Latin music in the US for as long as there've been Latin musicians in the US — that is, pretty much since forever.
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The bachata genre comes from the Dominican Republic, and since the 1980s it has become a globally popular party music.
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That rumbling, booty-shaking bass, the whip-thwap drums, the familiar melodies with Portuguese lyrics. It’s called baile funk, and if you’ve been to a hip DJ show lately, you’ve probably heard it. Edu K, "Hot Mama (Bonde do Role mix)" (mp3)
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Jazz as the language of love is the theme of this hitmaker's 12th album, an achingly pretty tribute to the spirit, pace, and sound of the bossa nova.
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I keep finding good, inexpensive food in Boston in unlikely places: a commercial shipyard, a construction-company lot, a mall food court, and what looks like someone's house in a residential neighborhood.
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Edu K may be among the first of a wave of Brazilian artists to bring the recently popularized style of bass music to the States via domestic release, but don’t call it “baile funk.”
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The jazz scene continues to struggle — along with everyone else — through hard times.
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Better known for packaging ’60s samba and bossa nova into stylized, radio-ready novelties for the US market than for breaking any new ground, venerable piano wiz Sergio Mendes enlists the cream of contempo hip-pop/R&B (the Roots, John Legend, Q-Tip, Justin Timberlake) for this comeback album.
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At 69, Paddy Moloney is still the world’s foremost uilleann-pipes player.
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Music Features
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