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Love is a many splendored thing: Mesma Belsare's upcoming solo recital


Mesma Belsare is a border-crosser.
By: DEBRA CASH  |  January 30, 2013

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Nicole Pierce walks The Walk


Dance maker Nicole Pierce was working the glue gun, constructing mossy objects, papier-mâché thingamabobs and items that she could hang from a net hoisted across the Art Deco balconies of the South End's Villa Victoria Center for the Arts.
By: DEBRA CASH  |  January 16, 2013

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Trajal Harrell's postmodern harlem drag


A half-naked dancer gallops wildly around the stage, squealing and grimacing while another dressed in drag suggests to audience members that they have sex with "the uglies."
By: VALERIE GLADSTONE  |  January 08, 2013

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Boston’s winter dance scene: Tapping and walking, stomping and flying


Boston's winter dance scene dips into the past, climbs onto the cutting-edge, and hosts guests from Spain, Brazil, Montreal and Copenhagen.
By: DEBRA CASH  |  December 26, 2012

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Outer moves, inner beauty: Looking back on the year in Boston dance


Here, in no particular order, are some of the highlights of the year in Boston dance.
By: DEBRA CASH  |  December 14, 2012

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Photos: Boston Ballet's Nutcracker at the Opera House


Boston Ballet stages The Nutcracker at the Opera House through December 30, 2012.
By: ERIC ANTONIOU  |  December 06, 2012



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Boston Ballet's Nutcracker: Visions of Sugarplums


Boston Ballet's stunning re-visioned Nutcracker is the best $2 million–plus investment this company has ever made.
By: DEBRA CASH  |  December 07, 2012

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Photos: The Nutcracker on the town

Out and about with the star of the Boston Ballet holiday show
Out and about with the star of the Boston Ballet holiday show
By: DANNY KIM  |  November 21, 2012

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The Nutcracker: Building a better mousetrap?

Boston Ballet takes a chance by remaking its most successful production
"Without The Nutcracker , there'd be no ballet in America as we know it."
By: JEFFREY GANTZ  |  November 19, 2012

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The five worst Nutcracker roles

My star-studded turns in a low-budget, small-town production of Tchaikovsky’s masterpiece
From the ages of eight to 16, I played just about every supporting role The Nutcracke r had to offer. Here are a few lowlights.
By: CASSANDRA LANDRY  |  November 21, 2012

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Boston Ballet’s Nutcracker gets a makeunder

Tutu Takeover
From November 23 through December 30, an expected 90,000 audience members will slide into seats at the Boston Opera House to take in The Nutcracker , a 42-year tradition for Boston Ballet and the result of countless hours of preparation — and not just for the dancers perfecting their moves in rehearsal rooms.
By: RENATA CERTO-WARE  |  November 19, 2012



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Preview: Kyle Abraham/Abraham.In.Motion at the ICA


"I had to do something," says choreographer/dancer Kyle Abraham, taking a break from rehearsing his company Kyle Abraham/Abraham.In.Motion in a downtown SoHo studio recently.
By: VALERIE GLADSTONE  |  November 07, 2012

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Tippett's Midsummer Marriage in concert


One of the great disappointments created by last year's mid-season demise of Opera Boston was that Boston wouldn't get its first viewing of Sir Michael Tippett's 1955 The Midsummer Marriage.
By: LLOYD SCHWARTZ  |  November 07, 2012

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Angkor Dance Troupe’s Apsara Dancing Stones


Angkor Dance Troupe's Apsara Dancing Stones is a terrifying essay in beauty.
By: JONATHAN RICHMOND  |  November 02, 2012

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Boston Ballet: falling Awake


Almost every dance by Jorma Elo opens with men rushing from the wings and erupting in big, climactic leaps.
By: DEBRA CASH  |  October 31, 2012

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Ryan Casey and Lorraine Chapman: looking up, looking back


Lexington native Ryan P. Casey makes audiences look way, way up: at 6' 9", this fresh-faced 21-year-old senior at NYU's Gallatin School of Individualized Study has already appeared on So You Think You Can Dance , and performed with tap innovator Michelle Dorrance.
By: DEBRA CASH  |  October 31, 2012



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Heavenly creatures

Dance
Apsara are the heavenly dancers of Khmer mythology, the shape-changing nymphs whose bas-relief images have adorned the walls of the temple of Angkor Wat since the 12th century.
By: DEBRA CASH  |  October 25, 2012

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Lar Lubovitch dance company at the Citi Shubert Theatre


Originally a visual artist, choreographer Lar Lubovitch "paints the music in space" so that the stage acts as a vibrant canvas and his ensemble often coheres in a single robust or mesmerizing gesture.
By: DEBRA CASH  |  October 17, 2012

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Sequence 8: Out of the Box


When acrobat Colin Davis appears at the beginning of Sequence 8 in the role of a suit-and-tie-wearing radio announcer, a kind of Ira-without-Glasses, he is introducing acrobatics with a meta-narrative.
By: DEBRA CASH  |  October 02, 2012

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A Glimpse Beyond: Cemetery Gaits


Two newcomers enter the paradisiacal garden that will be their final resting place.
By: DEBRA CASH  |  September 20, 2012
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