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Nominate-best-2010

Anniversary waltz

By MARCIA B. SIEGEL  |  December 15, 2009

The other new work on the program was Heart Starvation, a solo for Corbett by choreographer Peter Schmitz. The score for this, reinforcing Corbett's panoramic taste in music, butted the Shirelles' "Will You Love Me Tomorrow" up against Camille Saint-Saëns's plodding variation on the cancan, the "Tortoise" from his Carnival of the Animals. In a lexicon that emphasized inclinations, swings, and twistings of the upper body rather than traveling or jumping, Corbett savored going into a new direction but then didn't make a big point of it when she got there. In this and all of her own choreography, she lets you know, simply and without imposed mimicry or melodrama, that there's a real person dancing.

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Related: New stuff, 2009: The year in dance, Squiggles and lines, More more >
  Topics: Dance , Entertainment, Entertainment, Media,  More more >
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ARTICLES BY MARCIA B. SIEGEL
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  •   SQUIGGLES AND LINES  |  February 02, 2010
    The eponymous directors of Alonzo King Lines Ballet and the Mark Morris Dance Group both came from backgrounds in modern dance with sprinklings of other styles, and they both subsequently invented movement vocabularies to serve their choreographic ideas.
  •   NEW STUFF  |  January 19, 2010
    One thing that impressed me was that dance invention seems to be making a comeback as a major challenge for young choreographers after years of being stirred into the multimedia stew.
  •   2009: THE YEAR IN DANCE  |  December 22, 2009
    You could say there were two tremendous forces that propelled dance into the world of modern culture: the Ballets Russes of Serge Diaghilev and the choreography of Merce Cunningham.
  •   ANNIVERSARY WALTZ  |  December 15, 2009
    Caitlin Corbett Dance Company, which was celebrating its 25th anniversary at the Tsai Center last weekend, achieved another of its people-dance successes, a two-part series of one-minute duets featuring 36 big, small, awkward, suave, surprising, funny, and raring-to-go dancers and non-dancers of all ages.
  •   SNACKS  |  November 24, 2009
    The most substantial item in the assortment of dances by the Trey McIntyre Project last weekend was an oddly proportioned 20-minute meditation on climate change and Glacier National Park. McIntyre, whose company appeared at the ICA as part of the CRASHarts series, has gotten a lot of press exposure as an up-and-coming choreographer with serious ideas.

 See all articles by: MARCIA B. SIEGEL

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