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Toy stories

By GREG COOK  |  May 28, 2008

The National Bitter Melon Council (Hiroko Kikuchi, Jeremy Chi-Ming Liu, Misa Saburi, and Andi Sutton), meanwhile, poses as a product advocacy group while attempting to build community by sharing bitter melon, a common food among the city’s Asian-Americans. These folks transform the gallery office into their, uh, corporate headquarters and invite visitors to take a melon from a pile and leave something of equal value in exchange. People have left money, a pencil sharpener, shopping coupons, business cards, train passes, and a napkin with a phone number scribbled on it. A theme vaguely emerges of artists pursuing new social engagements, new sexualities, new ways to save the world at a moment when everything from our wars to the economy has gone to shit and it seems we have to help one another because our leaders have let us down.

EXPOSURE,” the 13th annual juried exhibit at the Photographic Resource Center (832 Comm Ave, Boston), is up through July 2, and like the Artadia show, it’s an opportunity for a quick overview of the local scene via 14 photographers mainly from around Boston and Providence. It’s dominated by deadpan-style photos — usually emotionally flat, posed, head-on or profile portraits, or architectural shots. Photographers seem depressed these days (maybe it’s the meds), and emotionally numb. The deadpan look is driven by the use of medium- and large-format cameras, which offer large, seductive, detail-vacuuming negatives but are awkward to carry and operate.

What sticks with me is New Yorker Benjamin Lowy’s shots from Iraq — a tank, a soldier running for help, a watch tower rising above tall grass, and Iraqi civilians as framed in the thick bulletproof portholes of patrolling Army Humvees. “Walking on the streets to photograph,” he writes, “is tantamount to suicidal behavior.” Lowy’s distance and detachment embody our own emotional and physical distance from what’s going on.

“Naoki Honjo: Small Planet” and “Abelardo Morell: Pictures in Pictures,” Bernard Toale Gallery, 450 Harrison Ave., Boston, May 14 to June 28, 2008 | “Hello my name is Pixnit,” Judy Rotenberg Gallery, 130 Newbury St., Boston, May 3 to June 1, 2008 | “Parti Wall, Hanging Green,” Pinkcomma Gallery, 81B Wareham St., Boston, May 16 to June 6, 2008 | “Artadia Boston 2007,” Boston Center for the Arts, 539 Tremont St., Boston, April 18 to June 15, 2008 | “Exposure: The 13th Annual PRC Juried Exhibition,” Photographic Resource Center, 832 Commonwealth Ave., Boston, May 23 to July 2, 2008

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  Topics: Museum And Gallery , Bernard Toale , Abelardo Morell , Boston Center for the Arts ,  More more >
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ARTICLES BY GREG COOK
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  •   RADICAL CHIC  |  October 28, 2008
    Shepard Fairey posters Harvard Square
  •   AFTERGLOW  |  October 27, 2008
    Rachel Whiteread’s dollhouse village at the MFA, Erwin Redl’s red-light district at Emerson
  •   BACK TO THE BARRICADES  |  October 22, 2008
    Can reenacting Vietnam-era protests help us rethink Iraq?
  •   STYROFOAM SORCERY  |  October 22, 2008
    Tara Donovan's mad-scientist magic invades the ICA
  •   BOYS’ LIFE  |  October 15, 2008
    Childhood play becomes macho in Boston galleries

 See all articles by: GREG COOK

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