Best JAZZ ACT
        
        
                
        Herbie Hancock
        
         Even if only half the people who voted for Herbie Hancock have ever seen him perform live — or listened to one of his records — they all know his name. This, after all, isn’t a jazz poll — it’s a pop music poll with a couple of jazz categories. So even if the closest you’ve come to Herbie Hancock is — oh, who knows, the music on the PA before an Amy Winehouse show — you know that he was the biggest deal on the ballot this year. Enough to gather more votes than the rock-friendly Bad Plus, guitar god Pat Metheny, and ’90s King of Jazz Wynton Marsalis. It didn’t hurt that Herbie grabbed Album of the Year at the 2008 Grammys — an upset by just about any measure. What’s more, it was for a sublime album that could hardly be called crossover. Yes, River: The Joni Letters (Verve) was mostly Joni Mitchell songs, with Norah Jones, Corinne Bailey Rae, Tina Turner, Leonard Cohen, and Joni herself providing vocals. But what made the album a keeper were the extended instrumental improvisations between verses, including a couple of spots for Herbie’s old comrade in arms, Wayne Shorter. A couple of pure instrumentals — Shorter’s “Nefertiti” and Duke Ellington’s “Solitude” — had nothing to do with Joni Mitchell. But they have everything to do with jazz.
Even if only half the people who voted for Herbie Hancock have ever seen him perform live — or listened to one of his records — they all know his name. This, after all, isn’t a jazz poll — it’s a pop music poll with a couple of jazz categories. So even if the closest you’ve come to Herbie Hancock is — oh, who knows, the music on the PA before an Amy Winehouse show — you know that he was the biggest deal on the ballot this year. Enough to gather more votes than the rock-friendly Bad Plus, guitar god Pat Metheny, and ’90s King of Jazz Wynton Marsalis. It didn’t hurt that Herbie grabbed Album of the Year at the 2008 Grammys — an upset by just about any measure. What’s more, it was for a sublime album that could hardly be called crossover. Yes, River: The Joni Letters (Verve) was mostly Joni Mitchell songs, with Norah Jones, Corinne Bailey Rae, Tina Turner, Leonard Cohen, and Joni herself providing vocals. But what made the album a keeper were the extended instrumental improvisations between verses, including a couple of spots for Herbie’s old comrade in arms, Wayne Shorter. A couple of pure instrumentals — Shorter’s “Nefertiti” and Duke Ellington’s “Solitude” — had nothing to do with Joni Mitchell. But they have everything to do with jazz.
— Jon Garelick
    
Runners-up
1. Bad Plus
2. Wynton Marsalis
3. Pat Metheny
        
        
        
            
            
        
 | 
Add Comment